Jordi Lafebre@jordilafebre

    As some of you are asking, this pages are made on @Procreate, like most of my work of the last two years, with only one brush, or to be specific, a few variations of the same brush. Let's talk about INK techniques; a thread:

    As some of you are asking, this pages are made on @Procreate, like most of my work of the last two years, with only one brush, or to be specific, a few variations of the same brush. Let's talk about INK techniques; a thread:
    As some of you are asking, this pages are made on @Procreate, like most of my work of the last two years, with only one brush, or to be specific, a few variations of the same brush. Let's talk about INK techniques; a thread:
    042020年11月11日 00:51
    Jordi Lafebre@jordilafebre

    Let's back to late 90's-2000 when I was at @Escolajoso , where Inking was our religion. ( yes, I'm that old ) It was all about ink, brush, dip pens and paper. Not even felt pens were allowed (that came later as a trick). The goal was to get nice and elegant lines like the masters

    Let's back to late 90's-2000 when I was at @Escolajoso , where Inking was our religion. ( yes, I'm that old ) It was all about ink, brush, dip pens and paper. Not even felt pens were allowed (that came later as a trick). The goal was to get nice and elegant lines like the masters
    002020年11月11日 00:59
    Jordi Lafebre@jordilafebre

    Then my lines, always closing the forms, were naturally transformed from thick to thinner, but always with an idea of ​​modulated volume in my mind. I started to use a much thick paper, with some little grain. We are already on 2009. That is form 'Lydie'

    Then my lines, always closing the forms, were naturally transformed from thick to thinner, but always with an idea of ​​modulated volume in my mind. I started to use a much thick paper, with some little grain. We are already on 2009. That is form 'Lydie'
    002020年11月11日 01:15
    Jordi Lafebre@jordilafebre

    At that point the 90%of the work was done on brush on semi glossy paper. There was already a nice combination of straight and curve lines and some character on them, but something was missing. ( still 'Lydie' @EditionsDargaud 2010)

    At that point the 90%of the work was done on brush on semi glossy paper. There was already a nice combination of straight and curve lines and some character on them, but something was missing. ( still 'Lydie' @EditionsDargaud 2010)
    012020年11月11日 01:25
    Jordi Lafebre@jordilafebre

    So I went further. My next book ( La Mondaine )was my ALL-IN. I tried everything I got. Brushes, dip pens, white gouache, much grain paper, and some crazy stuff I won't admit here. I went mentally and economically broke to find new ways. (Do not try it alone at home, kids)

    So I went further. My next book ( La Mondaine )was my ALL-IN. I tried everything I got. Brushes, dip pens, white gouache, much grain paper, and some crazy stuff I won't admit here. I went mentally and economically broke to find new ways. (Do not try it alone at home, kids)
    112020年11月11日 01:36

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