There'll be more details down the line, but the reason for my relative silence, is that I'm working on a new book. (These panels seemed relevant)
Five quietly interrelated stories. `Don't expect simple, don't expect the road map laid out for you, but do expect an immersive, drifting, thought-provoking read.' – @richardbruton
Each one is a slightly different art style. `It's bleakly erotic and gloomily restrained, much like Owen D. Pomery himself.' - @brookes_gareth
And a slightly different narrative style. `Each tale is a brief vignette that tells us very little about them and yet, simultaneously, also tells us everything we need to know about their lives.' - @AndyWPOliver
作者のその他の人気の漫画
I get asked about my process a lot, and I think these three images show it the best. Pencil sketch > Ink linework > Coloured digitally.
Brand new ODP update grid, with a few recent illustrations you might enjoy. For the whole story, step this way: https://t.co/sKEl7SQgu5
The Hard Switch is coming. My new sci-fi book about a small crew's struggle for survival in a galaxy of dwindling resources is finally on the horizon. If you'd like to help back it, you can sign up early and jump aboard here!
I don't do this very often, so don't get too comfortable, but as it's a lockdown Sunday, here's a bit of fun. #BoJackHorseman
Here's an panel from a short comic I did a while back. The Lines.
Just came across this trio of sketches I'd forgotten I did for a landscape scheme a little while back. Plants are very calming to draw.
Don't know what it's like where you are, but I could do with just walking into the sea.
I never know how much to share of a project, it either feels like too much or not enough. But as it's Friday, here's a futuristic coffee pot.
Cooling off.
Waking up.
It's another grey winter's day in London, so here's a page from my next book, Victory Point. It's set in the summer.
Pencil draft.
