one thing I love doing with my panelling is splitting up one scene into multiple panels this allows to divide/dictate the way a reader experiences the comic, the gutters can help make multiple things happen within the same bg, at the same time i like making comics without them

Lost was an experiment in panelling where there were 2 worlds: the left side of a page and a right side of a page I had the characters also go through similar parallel compositions, story beats, and page compositions, twisted reflections, mirrored events, and so on

one brilliant metatextual bit to show this is from Watchmen is how you can read Dr. Manhattan experiencing the past, the future, the present all at once as he has the same perception we have with reading a comic we see it all laid out behind us and before us

another obsession I have with comics is: art style when asked what is more important in comics, art or story, I would argue that the art /is/ part of the storytelling images from @scottmccloud https://t.co/gpMIMqGJ06

tangent, writing for artists is something @neilhimself does well The Sandman: Endless Nights anthology, the stories are just perfectly suited to the artist telling each Endless' story Desire - Milo Minara Despair - Dave Mckean Delirium - Bill Sienkiewicz Destiny - Frank Quitely