Dan Schkade@DanSchkade

    Today marks 5 years since the launch of @DynamiteComics' WILL EISNER'S THE SPIRIT, by Matt Wagner (W) Brennan Wagner (C) and me -- a 12 issue jog though The Spirit's canon / a 12 month boot camp in which Matt hammered me into a proper cartoonist. SO grateful to and for this book.

    Today marks 5 years since the launch of @DynamiteComics' WILL EISNER'S THE SPIRIT, by Matt Wagner (W) Brennan Wagner (C) and me -- a 12 issue jog though The Spirit's canon / a 12 month boot camp in which Matt hammered me into a proper cartoonist. SO grateful to and for this book.
    Today marks 5 years since the launch of @DynamiteComics' WILL EISNER'S THE SPIRIT, by Matt Wagner (W) Brennan Wagner (C) and me -- a 12 issue jog though The Spirit's canon / a 12 month boot camp in which Matt hammered me into a proper cartoonist. SO grateful to and for this book.
    Today marks 5 years since the launch of @DynamiteComics' WILL EISNER'S THE SPIRIT, by Matt Wagner (W) Brennan Wagner (C) and me -- a 12 issue jog though The Spirit's canon / a 12 month boot camp in which Matt hammered me into a proper cartoonist. SO grateful to and for this book.
    Today marks 5 years since the launch of @DynamiteComics' WILL EISNER'S THE SPIRIT, by Matt Wagner (W) Brennan Wagner (C) and me -- a 12 issue jog though The Spirit's canon / a 12 month boot camp in which Matt hammered me into a proper cartoonist. SO grateful to and for this book.
    17873年前
    Dan Schkade@DanSchkade

    There were a TON of rounds of tryouts for this book. First, I did these spec pages -- you can see I was still using the super fine SAN HANNIBAL microns. Some good stuff here and there, but there's a pervasive stiffness. It was that last pinup that ended up pushing me forward.

    There were a TON of rounds of tryouts for this book. First, I did these spec pages -- you can see I was still using the super fine SAN HANNIBAL microns. Some good stuff here and there, but there's a pervasive stiffness. It was that last pinup that ended up pushing me forward.
    There were a TON of rounds of tryouts for this book. First, I did these spec pages -- you can see I was still using the super fine SAN HANNIBAL microns. Some good stuff here and there, but there's a pervasive stiffness. It was that last pinup that ended up pushing me forward.
    There were a TON of rounds of tryouts for this book. First, I did these spec pages -- you can see I was still using the super fine SAN HANNIBAL microns. Some good stuff here and there, but there's a pervasive stiffness. It was that last pinup that ended up pushing me forward.
    There were a TON of rounds of tryouts for this book. First, I did these spec pages -- you can see I was still using the super fine SAN HANNIBAL microns. Some good stuff here and there, but there's a pervasive stiffness. It was that last pinup that ended up pushing me forward.
    3123年前
    Dan Schkade@DanSchkade

    Next round was a test page from a sample script Matt had written. A version of this was eventually run with the Hollywood Reporter announcement of the series. I love Matt's scripts -- brief, percussive, with highlight words to dictate the tone of the panel. Great to work from.

    Next round was a test page from a sample script Matt had written. A version of this was eventually run with the Hollywood Reporter announcement of the series. I love Matt's scripts -- brief, percussive, with highlight words to dictate the tone of the panel.  Great to work from.
    Next round was a test page from a sample script Matt had written. A version of this was eventually run with the Hollywood Reporter announcement of the series. I love Matt's scripts -- brief, percussive, with highlight words to dictate the tone of the panel.  Great to work from.
    363年前
    Dan Schkade@DanSchkade

    Lucky thing, too -- this Gil Elvgren painting became the basis for my Ellen Dolan, which apparently was one of the things that finally put me over the top. I had the gig! Now it was time to get to it, we needed the issue in a month. An appropriate start to a comics career.

    Lucky thing, too -- this Gil Elvgren painting became the basis for my Ellen Dolan, which apparently was one of the things that finally put me over the top. I had the gig! Now it was time to get to it, we needed the issue in a month. An appropriate start to a comics career.
    Lucky thing, too -- this Gil Elvgren painting became the basis for my Ellen Dolan, which apparently was one of the things that finally put me over the top. I had the gig! Now it was time to get to it, we needed the issue in a month. An appropriate start to a comics career.
    063年前
    Dan Schkade@DanSchkade

    More WILL EISNER'S THE SPIRIT by Matt Wagner, Brennan Wagner & me. Haven't actually looked at these in a while -- I'm appreciating how much Brennan's cool, lurid palettes do to make this really feel like the world of The Spirit, all damp and funky and uneven. He's GREAT on this. https://t.co/rAXJ9zZenr

    More WILL EISNER'S THE SPIRIT by Matt Wagner, Brennan Wagner & me. Haven't actually looked at these in a while -- I'm appreciating how much Brennan's cool, lurid palettes do to make this really feel like the world of The Spirit, all damp and funky and uneven. He's GREAT on this. https://t.co/rAXJ9zZenr
    More WILL EISNER'S THE SPIRIT by Matt Wagner, Brennan Wagner & me. Haven't actually looked at these in a while -- I'm appreciating how much Brennan's cool, lurid palettes do to make this really feel like the world of The Spirit, all damp and funky and uneven. He's GREAT on this. https://t.co/rAXJ9zZenr
    More WILL EISNER'S THE SPIRIT by Matt Wagner, Brennan Wagner & me. Haven't actually looked at these in a while -- I'm appreciating how much Brennan's cool, lurid palettes do to make this really feel like the world of The Spirit, all damp and funky and uneven. He's GREAT on this. https://t.co/rAXJ9zZenr
    More WILL EISNER'S THE SPIRIT by Matt Wagner, Brennan Wagner & me. Haven't actually looked at these in a while -- I'm appreciating how much Brennan's cool, lurid palettes do to make this really feel like the world of The Spirit, all damp and funky and uneven. He's GREAT on this. https://t.co/rAXJ9zZenr
    5183年前
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