Dan Schkade@DanSchkade

    @RentonHawkey The somber seriousness with which Batman's flashlight emblem is presented here gives me a kind of... not dread exactly, more that unnerved feeling you get when the otherwise cool guy you're taking to reveals he believes the moon landing was faked

    @RentonHawkey The somber seriousness with which Batman's flashlight emblem is presented here gives me a kind of... not dread exactly, more that unnerved feeling you get when the otherwise cool guy you're taking to reveals he believes the moon landing was faked
    014年前
    Dan Schkade@DanSchkade

    @ThatWeissGuy HELL YEAH IT IS

    @ThatWeissGuy HELL YEAH IT IS
    024年前
    Dan Schkade@DanSchkade

    #DrFatetober DAY THIRTY-ONE: SALEM Today's prompt -- the final prompt of the month! -- suggested by @robstaeger ?‍⬛ That's a wrap! Thanks to everyone who suggested prompts, and to everyone who enjoyed this kooky little project. I certainly did. HAPPY HALLOWEEN!

    #DrFatetober DAY THIRTY-ONE: SALEM

Today's prompt -- the final prompt of the month! -- suggested by @robstaeger ?‍⬛

That's a wrap! Thanks to everyone who suggested prompts, and to everyone who enjoyed this kooky little project. I certainly did. HAPPY HALLOWEEN!
    #DrFatetober DAY THIRTY-ONE: SALEM

Today's prompt -- the final prompt of the month! -- suggested by @robstaeger ?‍⬛

That's a wrap! Thanks to everyone who suggested prompts, and to everyone who enjoyed this kooky little project. I certainly did. HAPPY HALLOWEEN!
    12454年前
    Dan Schkade@DanSchkade

    A cool little piece of stagecraft in Brubaker, Phillips, & Phillips' PULP: writer Max Winters and his editor argue over the ending of his latest story, an argument where the editor holds all the cards. He strikes a line through the ending at the a start of their discussion...

    A cool little piece of stagecraft in Brubaker, Phillips, & Phillips' PULP: writer Max Winters and his editor argue over the ending of his latest story, an argument where the editor holds all the cards. He strikes a line through the ending at the a start of their discussion...
    A cool little piece of stagecraft in Brubaker, Phillips, & Phillips' PULP: writer Max Winters and his editor argue over the ending of his latest story, an argument where the editor holds all the cards. He strikes a line through the ending at the a start of their discussion...
    2164年前
    Dan Schkade@DanSchkade

    ...and the red line continues to be visible throughout the scene, underlining how the editor has all the power here, the decision's been made, and this really isn't a discussion. I thought it was a cool way to give a visual hook to a spoken conversation about words on a page.

    ...and the red line continues to be visible throughout the scene, underlining how the editor has all the power here, the decision's been made, and this really isn't a discussion. I thought it was a cool way to give a visual hook to a spoken conversation about words on a page.
    ...and the red line continues to be visible throughout the scene, underlining how the editor has all the power here, the decision's been made, and this really isn't a discussion. I thought it was a cool way to give a visual hook to a spoken conversation about words on a page.
    2134年前
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