Dan Schkade@DanSchkade

    Sister Rex is a very Frank Miller-y character, isn't she? Evil nun plus evil doctor. She owes a little to the Surgeon General in particular, from Miller and Dave Gibbons' MARTHA WASHINGTON books 💉

    Sister Rex is a very Frank Miller-y character, isn't she? Evil nun plus evil doctor. She owes a little to the Surgeon General in particular, from Miller and Dave Gibbons' MARTHA WASHINGTON books 💉
    Sister Rex is a very Frank Miller-y character, isn't she? Evil nun plus evil doctor. She owes a little to the Surgeon General in particular, from Miller and Dave Gibbons' MARTHA WASHINGTON books 💉
    0132021年9月28日 10:56
    Dan Schkade@DanSchkade

    Finally watched Lars Von Trier's 1991 EUROPA (aka 'Zentropa'). Sin City meets Eraserhead - none of these images are promo art, they're all frames from the movie. Rear projection sorcery. It's on HBO Max, get into it if you want to nurse a bad, anxious mood 🕚

    Finally watched Lars Von Trier's 1991 EUROPA (aka 'Zentropa'). Sin City meets Eraserhead - none of these images are promo art, they're all frames from the movie. Rear projection sorcery. It's on HBO Max, get into it if you want to nurse a bad, anxious mood 🕚
    Finally watched Lars Von Trier's 1991 EUROPA (aka 'Zentropa'). Sin City meets Eraserhead - none of these images are promo art, they're all frames from the movie. Rear projection sorcery. It's on HBO Max, get into it if you want to nurse a bad, anxious mood 🕚
    Finally watched Lars Von Trier's 1991 EUROPA (aka 'Zentropa'). Sin City meets Eraserhead - none of these images are promo art, they're all frames from the movie. Rear projection sorcery. It's on HBO Max, get into it if you want to nurse a bad, anxious mood 🕚
    Finally watched Lars Von Trier's 1991 EUROPA (aka 'Zentropa'). Sin City meets Eraserhead - none of these images are promo art, they're all frames from the movie. Rear projection sorcery. It's on HBO Max, get into it if you want to nurse a bad, anxious mood 🕚
    1332021年9月29日 05:40
    Dan Schkade@DanSchkade

    Most of the super stylized "hey, maybe I could make comics too" guys we were inspired by in high school (Frank Miller and Mike Mignola especially) tend to have narrative conventions that're pretty easy to ape. I bet we could all write decent, passable Hellboy or Sin City story.

    Most of the super stylized "hey, maybe I could make comics too" guys we were inspired by in high school (Frank Miller and Mike Mignola especially) tend to have narrative conventions that're pretty easy to ape. I bet we could all write decent, passable Hellboy or Sin City story.
    Most of the super stylized "hey, maybe I could make comics too" guys we were inspired by in high school (Frank Miller and Mike Mignola especially) tend to have narrative conventions that're pretty easy to ape. I bet we could all write decent, passable Hellboy or Sin City story.
    1212021年9月30日 02:43
    Dan Schkade@DanSchkade

    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.

    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    2312021年9月30日 02:47
    Dan Schkade@DanSchkade

    I tried doing LAVENDER JACK in the storytelling styles of: 🥃 SIN CITY: A DAME TO KILL FOR era Frank Miller ~and~ ⚰️HELLBOY: WAKE THE DEVIL era Mike Mignola (which is harder than it looks)

    I tried doing LAVENDER JACK in the storytelling styles of:

🥃 SIN CITY: A DAME TO KILL FOR era Frank Miller

~and~

⚰️HELLBOY: WAKE THE DEVIL era Mike Mignola (which is harder than it looks)
    I tried doing LAVENDER JACK in the storytelling styles of:

🥃 SIN CITY: A DAME TO KILL FOR era Frank Miller

~and~

⚰️HELLBOY: WAKE THE DEVIL era Mike Mignola (which is harder than it looks)
    432122021年10月1日 06:42

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