Dan Schkade@DanSchkade

    Most of the super stylized "hey, maybe I could make comics too" guys we were inspired by in high school (Frank Miller and Mike Mignola especially) tend to have narrative conventions that're pretty easy to ape. I bet we could all write decent, passable Hellboy or Sin City story.

    Most of the super stylized "hey, maybe I could make comics too" guys we were inspired by in high school (Frank Miller and Mike Mignola especially) tend to have narrative conventions that're pretty easy to ape. I bet we could all write decent, passable Hellboy or Sin City story.
    Most of the super stylized "hey, maybe I could make comics too" guys we were inspired by in high school (Frank Miller and Mike Mignola especially) tend to have narrative conventions that're pretty easy to ape. I bet we could all write decent, passable Hellboy or Sin City story.
    1213年前
    Dan Schkade@DanSchkade

    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.

    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake- like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.
    2313年前
    Dan Schkade@DanSchkade

    I tried doing LAVENDER JACK in the storytelling styles of: 🥃 SIN CITY: A DAME TO KILL FOR era Frank Miller ~and~ ⚰️HELLBOY: WAKE THE DEVIL era Mike Mignola (which is harder than it looks)

    I tried doing LAVENDER JACK in the storytelling styles of: 🥃 SIN CITY: A DAME TO KILL FOR era Frank Miller ~and~ ⚰️HELLBOY: WAKE THE DEVIL era Mike Mignola (which is harder than it looks)
    I tried doing LAVENDER JACK in the storytelling styles of: 🥃 SIN CITY: A DAME TO KILL FOR era Frank Miller ~and~ ⚰️HELLBOY: WAKE THE DEVIL era Mike Mignola (which is harder than it looks)
    432123年前
    Dan Schkade@DanSchkade

    Despite the specific Miller and Mignola eras I'm trying to ape here, my actual favorite Sin City and Hellboy stories are FAMILY VALUES and CONQUEROR WORM, respectively https://t.co/9QwqFDhU38

    Despite the specific Miller and Mignola eras I'm trying to ape here, my actual favorite Sin City and Hellboy stories are FAMILY VALUES and CONQUEROR WORM, respectively https://t.co/9QwqFDhU38
    Despite the specific Miller and Mignola eras I'm trying to ape here, my actual favorite Sin City and Hellboy stories are FAMILY VALUES and CONQUEROR WORM, respectively https://t.co/9QwqFDhU38
    3313年前
    Dan Schkade@DanSchkade

    HERE COMES...

    HERE COMES...
    HERE COMES...
    HERE COMES...
    HERE COMES...
    4,4831.8万3年前

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