Dan Schkade@DanSchkade

    It's fun seeing these translated strips coming out six or so months after the English versions. I always liked the tiny Flash and Dale in this panel, lookit em

    It's fun seeing these translated strips coming out six or so months after the English versions. I always liked the tiny Flash and Dale in this panel, lookit em

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    0162024年11月22日 10:03
    Dan Schkade@DanSchkade

    12510892024年12月3日 00:06
    Dan Schkade@DanSchkade

    Two gorgeous FLASH GORDON illos by the late and legendary Australian cartoonist Stanley Pitt. The versatility of the brush weight. That bold, Hernandezy skyline. Being able to draw like this, THAT'S science fiction. (found on the Hairy Green Eyeball blog)

    Two gorgeous FLASH GORDON illos by the late and legendary Australian cartoonist Stanley Pitt. The versatility of the brush weight. That bold, Hernandezy skyline. Being able to draw like this, THAT'S science fiction.

(found on the Hairy Green Eyeball blog)

    センシティブな可能性のある画像です。表示するにはログインして設定を変更してください

    Two gorgeous FLASH GORDON illos by the late and legendary Australian cartoonist Stanley Pitt. The versatility of the brush weight. That bold, Hernandezy skyline. Being able to draw like this, THAT'S science fiction.

(found on the Hairy Green Eyeball blog)

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    5122024年12月9日 13:11
    Dan Schkade@DanSchkade

    A pair of similar panels from Joe Shuster and one of his biggest influences, Alex Raymond - a good example of the difference between Shuster's clean, thick line and Raymond's more feathered, classical illustration style, as well as the stylized realism that connects the two.

    A pair of similar panels from Joe Shuster and one of his biggest influences, Alex Raymond - a good example of the difference between Shuster's clean, thick line and Raymond's more feathered, classical illustration style, as well as the stylized realism that connects the two.

    センシティブな可能性のある画像です。表示するにはログインして設定を変更してください

    A pair of similar panels from Joe Shuster and one of his biggest influences, Alex Raymond - a good example of the difference between Shuster's clean, thick line and Raymond's more feathered, classical illustration style, as well as the stylized realism that connects the two.

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    9452024年12月16日 06:20
    Dan Schkade@DanSchkade

    ROBERT EGGERS' 'THE PLASTIC MAN' (2025) Part 1/2

    ROBERT EGGERS' 'THE PLASTIC MAN' (2025)

Part 1/2
    ROBERT EGGERS' 'THE PLASTIC MAN' (2025)

Part 1/2
    ROBERT EGGERS' 'THE PLASTIC MAN' (2025)

Part 1/2
    ROBERT EGGERS' 'THE PLASTIC MAN' (2025)

Part 1/2
    16120762025年1月4日 19:58