ムースは暗器使いというキャラ特性を活かして、オモチャ箱みたいな感じで攻撃時にいろんな暗器が出てくるキャラを目指していました 大小とそれぞれのキー入力で暗器が変わったりとかもっと沢山やりたかったんですが、ムース自身も長身だったので割振キャラ容量内でのやりくりが大変でした

    ムースは暗器使いというキャラ特性を活かして、オモチャ箱みたいな感じで攻撃時にいろんな暗器が出てくるキャラを目指していました
大小とそれぞれのキー入力で暗器が変わったりとかもっと沢山やりたかったんですが、ムース自身も長身だったので割振キャラ容量内でのやりくりが大変でした
    481512024年10月11日 18:00

    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his

    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    371642024年10月13日 16:37

    Rockman & Forte was a really enjoyable project to work on. When I received the request, it was decided that Yoshihiro Iwamoto, Koji Izuki, and I would each design a guest boss. I felt that we should carry on the traditional look of the bosses, so I designed the faces, including

    Rockman & Forte was a really enjoyable project to work on. When I received the request, it was decided that Yoshihiro Iwamoto, Koji Izuki, and I would each design a guest boss. I felt that we should carry on the traditional look of the bosses, so I designed the faces, including
    2268332024年10月14日 12:55

    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています

    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    032024年11月1日 00:28

    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.

    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.
    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.
    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.
    782372024年11月8日 18:59

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