In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his

    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    In the story where Shadow Man appears, I felt that, given his role, he would be a central figure among Wily's robots. So, I wanted to make him a special character and ensured his design didn't overlap with the existing robots that had appeared in previous one-shots. I changed his
    371642024年10月13日 16:37

    Rockman & Forte was a really enjoyable project to work on. When I received the request, it was decided that Yoshihiro Iwamoto, Koji Izuki, and I would each design a guest boss. I felt that we should carry on the traditional look of the bosses, so I designed the faces, including

    Rockman & Forte was a really enjoyable project to work on. When I received the request, it was decided that Yoshihiro Iwamoto, Koji Izuki, and I would each design a guest boss. I felt that we should carry on the traditional look of the bosses, so I designed the faces, including
    2268332024年10月14日 12:55

    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています

    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    ロックマン1取扱説明書はストーリーも最低限、ロボットたちの紹介もカタログ的で、それが乾いた印象でした
そぎ落とされた情報故に行間や想像する余地が沢山あって、家庭用ロボット「ロック」が暴走した兄弟機を止める(破壊しに)行く物語に悲哀を感じ、私の描くロックマン漫画の下地になっています
    032024年11月1日 00:28

    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.

    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.
    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.
    I feel sorry that I couldn't draw Piano, so I at least introduced them in the afterword of the new edition. Now, I occasionally see different people drawing Piano, and it makes me glad that I introduced them in the afterword.
    782372024年11月8日 18:59

    帰国して帰宅しました 久しぶりの ねこ

    帰国して帰宅しました
久しぶりの ねこ
    帰国して帰宅しました
久しぶりの ねこ
    帰国して帰宅しました
久しぶりの ねこ
    帰国して帰宅しました
久しぶりの ねこ
    022024年11月13日 23:33

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日向悠二🌱@nistick023
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2023-06-01T10:00:01.000Z