All of the Robot Masters I've drawn in Megamix were created under Capcom's official supervision. Because of that, I tend to avoid drawing new ones privately on my own. My approach has always been to reinterpret the original Famicom sprites through my own "filter," imagining how

    All of the Robot Masters I've drawn in Megamix were created under Capcom's official supervision.
Because of that, I tend to avoid drawing new ones privately on my own.

My approach has always been to reinterpret the original Famicom sprites through my own "filter," imagining how
    All of the Robot Masters I've drawn in Megamix were created under Capcom's official supervision.
Because of that, I tend to avoid drawing new ones privately on my own.

My approach has always been to reinterpret the original Famicom sprites through my own "filter," imagining how
    3152025年10月16日 09:58

    I drew Rockman Megamix and other related manga for the extra issues of Comic BomBom, a magazine published by Kodansha. At that time, the main magazine featured Shigeto Ikehara's Rockman series and Yoshihiro Iwamoto's (@iwamoto_yoshi) Rockman X, while many other artists were also

    I drew Rockman Megamix and other related manga for the extra issues of Comic BomBom, a magazine published by Kodansha.
At that time, the main magazine featured Shigeto Ikehara's Rockman series and Yoshihiro Iwamoto's (@iwamoto_yoshi) Rockman X, while many other artists were also
    I drew Rockman Megamix and other related manga for the extra issues of Comic BomBom, a magazine published by Kodansha.
At that time, the main magazine featured Shigeto Ikehara's Rockman series and Yoshihiro Iwamoto's (@iwamoto_yoshi) Rockman X, while many other artists were also
    I drew Rockman Megamix and other related manga for the extra issues of Comic BomBom, a magazine published by Kodansha.
At that time, the main magazine featured Shigeto Ikehara's Rockman series and Yoshihiro Iwamoto's (@iwamoto_yoshi) Rockman X, while many other artists were also
    142025年10月16日 20:44

    ようかいとりものちょう14(2021) 妖怪捕物帖乙 冥界彷徨篇 弐 大崎悌造/ありがひとし 岩崎書店刊 この見開きで戦ってるシーン、レイアウト、ラフ、下描き、ペン入れ、仕上げで描き上げるまでにどれくらい時間かかったかしら… 当時の作画配信(部分)👇 https://t.co/vGT2VnyLPG

    ようかいとりものちょう14(2021)
妖怪捕物帖乙 冥界彷徨篇 弐
大崎悌造/ありがひとし 岩崎書店刊

この見開きで戦ってるシーン、レイアウト、ラフ、下描き、ペン入れ、仕上げで描き上げるまでにどれくらい時間かかったかしら…

当時の作画配信(部分)👇
https://t.co/vGT2VnyLPG
    002025年10月17日 12:30

    「でろーーーっ! ガンダーーーー…」 「馬鹿者! ここでガンダムを呼ぶでない!」

    「でろーーーっ!
 ガンダーーーー…」
「馬鹿者!
 ここでガンダムを呼ぶでない!」
    682302025年10月17日 20:13

    THEビッグオー LOST MEMORY(1) 原作 矢立肇 漫画 有賀ヒトシ(漢字カタカナ時代) そう……あのシティを守る 黒いメガデウスに交渉して ほしい! ⦅ビッグオーに? それは私にって 事になるんだがね⦆

    THEビッグオー LOST MEMORY(1)
原作 矢立肇 漫画 有賀ヒトシ(漢字カタカナ時代)

そう……あのシティを守る
黒いメガデウスに交渉して
ほしい!

⦅ビッグオーに?
 それは私にって
 事になるんだがね⦆
    3102025年10月21日 20:00

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日向悠二🌱@nistick023
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2023-06-01T10:00:01.000Z