Kraftwerk single sleeves. I am adding And subtracting I'm controlling And composing




Models and concept art, plus one still, of The Sorceress, from MASTERS OF THE UNIVERSE. I found her intriguing as a kid. In the mini-comics, she was a completely different character. She didn't have an action figure until much later-as if she couldn't be captured in plastic.




Gladstones, meet the Gladstones… Model sheets from the Hanna-Barbera series before it was renamed. As a kid, I really hated Barney. He was always so quick to scam Fred or side against him, with those little rat eyes of his. Goofy and evil, that's a hellish combination.





Cartoon by John O'Brien for NEW YORKER magazine, 1991.

Animation art from the very first Tom & Jerry cartoon, PUSS GETS THE BOOT (1940).

Transgender synth pioneer, Wendy Carlos (1939). She composed the TRON score-one of my favorites. She also composed music for A CLOCKWORK ORANGE and THE SHINING (you remember the main theme & Rocky Mountains). Much more commercially successful perhaps was SWITCHED-ON BACH (1968).

Italian artist, Dino Buzzati (1906-1972). 1963.

Concept art by Claire Keane for unmade Disney feature, MORT.

Zombie designs by William Stout for RETURN OF THE LIVING DEAD (1984).

Art from the Rankin/Bass version of THE HOBBIT (1977).

Illustrations by Tove Jansson for a Swedish edition of THE HOBBIT. 1962.

Halloween card by Jack Davis. 1959.

Art by Iwao Takamoto (1925-2007). After working for Disney (where he assisted Marc Davis & Milt Kahl), Takamoto went on to work at Hanna-Barbera, where he designed the Scooby-Doo gang, among others. Image 1 shows his pitch art for that show, 2 is pitch art for Penelope Pitstop.


Geof Darrow concept art for THE MATRIX series.