3D models by Rebecca Allen for the 1986 Kraftwerk video, "Musique Non-Stop".




Animation art from INSPECTOR GADGET (1983). Very popular during my childhood. Dr. Claw was such a great villain. "Next time, Gadget!" I was always dying to know what Claw's face looked like. I would have sold my kiddie soul... (Yes I know about the toy.)




Some more (concept) art from that wonderful GREASE intro. It's the perfect intro sequence, isn't it: it draws you in, it sets the tone, and it's a piece of art onto itself. (My tweeting is a little erratic these days because I'm in the middle of a few life changes.)





Cartoon by John O'Brien for NEW YORKER magazine, 1991.

Animation art from the very first Tom & Jerry cartoon, PUSS GETS THE BOOT (1940).

Transgender synth pioneer, Wendy Carlos (1939). She composed the TRON score-one of my favorites. She also composed music for A CLOCKWORK ORANGE and THE SHINING (you remember the main theme & Rocky Mountains). Much more commercially successful perhaps was SWITCHED-ON BACH (1968).

Italian artist, Dino Buzzati (1906-1972). 1963.

Concept art by Claire Keane for unmade Disney feature, MORT.

Zombie designs by William Stout for RETURN OF THE LIVING DEAD (1984).

Art from the Rankin/Bass version of THE HOBBIT (1977).

Illustrations by Tove Jansson for a Swedish edition of THE HOBBIT. 1962.

Halloween card by Jack Davis. 1959.

Art by Iwao Takamoto (1925-2007). After working for Disney (where he assisted Marc Davis & Milt Kahl), Takamoto went on to work at Hanna-Barbera, where he designed the Scooby-Doo gang, among others. Image 1 shows his pitch art for that show, 2 is pitch art for Penelope Pitstop.


Geof Darrow concept art for THE MATRIX series.