https://t.co/5clDL3GQeX https://t.co/Wzq7FgS6v6 https://t.co/BrxZT7QZOc https://t.co/t0Lphb56OE
https://t.co/WJvbJuE6Yx https://t.co/yPSWUiozoc https://t.co/1h2A0AXjvt https://t.co/ROl4eyzef8
https://t.co/pM3RvSRai8 https://t.co/0UFx1nTLx4 https://t.co/nnpMMFcapk https://t.co/ouEnJrTbtM
He also storyboarded the whole episode, including this sequence. https://t.co/46OJSbtu6g https://t.co/uvwIZLUvFt https://t.co/72HvVACcex https://t.co/RDXGqdaUyf
Genga: https://t.co/4fYA4C44GX
Genga + Timesheet: Corrections by Kazuchika Kise (黄瀬 和哉) on the first one and by Takeshi Honda (本田 雄) on the second one. https://t.co/Id9StsY1hd https://t.co/H3L5ZJ5AdS
Layout by Tadashi Hiramatsu (平松禎史): https://t.co/vVrEg1A5Ez
Genga: https://t.co/8q6jvEGlxV https://t.co/P9DWzrTqNq
Layout by Toshiyuki Inoue (井上俊之): https://t.co/bnHgCt0rEj https://t.co/aSUMAV8esy
https://t.co/VCJMolk8Dm https://t.co/yGnx6plwjN https://t.co/OnOPOz6HJJ https://t.co/gZxVZA10DB
Bit of the storyboards by Satoshi Kon (今 敏): https://t.co/nUL54wAt16