Mark Evanier and Dan Spiegel were doing some exciting stuff on Crossfire. Dig those credit pages.
Breaking down how Spiegel uses negative space in between figures (panel 2) and creates depth with overlap (panel 1) the war panel 1 is colored really adds to the depth but the level is detail is what sets it up...patterns are helpful too
Gil Kane on Kurtzman's war comic : "People just didn't die, but human beings died in human and affecting terms" One of my favorites from two-fisted tales
The amount of variety and the level of draftsmanship in this one issue of Crossfire is ridiculous...Spiegel was a beast
作者のその他の人気の漫画
Take a Toppi Break with me won't you? Master of texture, design, use of negative space and scale.
Today's inspiration Rodolfo Damaggio's Captain America Storyboards
Some Rodolfo Damaggio to end your week right
As comics get more "widescreen" I've really come to appreciate the sweet, skinny, vertical panels of Miller's DD
we do not spend enough time gushing over how great John Bogdanove is. Great Cartooning skills, amazing draftsmanship and gestures. From a new mutants annual and X-terminators
Kurtzman. I want comics to be colored like this again
Urasawa's celebrity portraits are the best
my favorite Neal Adams stuff was his comic strip work...what a legend
