Looking at classic MOKF and I love Gulacy's storytelling decisions. There is no "rule" that says these panels should work-but they do and give the sense that the characters are moving forward in space while talking. Wohl's balloon placement helps a lot too!
@danyelldraws I think that's just how he works. Even in newer stuff it's always dense. Especially (IMO) when he has room to play. 1996's The Grackle
The real answer is that I would trade any big two for a shot at these https://t.co/Y5rsdmqUBV
One of my favorites of All Time by @aronwiesenfeld (continued below) https://t.co/XanAwfFNZm
作者のその他の人気の漫画
Take a Toppi Break with me won't you? Master of texture, design, use of negative space and scale.
Today's inspiration Rodolfo Damaggio's Captain America Storyboards
Some Rodolfo Damaggio to end your week right
As comics get more "widescreen" I've really come to appreciate the sweet, skinny, vertical panels of Miller's DD
we do not spend enough time gushing over how great John Bogdanove is. Great Cartooning skills, amazing draftsmanship and gestures. From a new mutants annual and X-terminators
Kurtzman. I want comics to be colored like this again
Urasawa's celebrity portraits are the best
my favorite Neal Adams stuff was his comic strip work...what a legend
Toth famously said " Strip it down to the essentials and Draw the hell out of what's left". Calling something "simple" because of a lack of (over)rendering implies that less lines = less work. Here's Toth keeping it Simple
Little Breakdowns of the "hellboy style" made by @TadStones for the Hellboy animated shows to capture the @artofmmignola magic. So great https://t.co/wiUceHtiKC
Let's spend Monday gushing over Barry Windsor-Smith, shall we? This is the closest we will get to seeing how Michelangelo would've drawn comics. Classic draftsmanship and beautiful storytelling
Eisner
