In issue 9 of THE CREEPER we were blessed with art by @smartinbrough & Buscema, @philhester & @andeparks JPL and @JHWilliamsIII w/ Gray all for $2.50!! we didn't deserve this book...
First page I ever drew (20 yrs ago?) vs last page I drew. I wish I was still as brave with my layouts.
I pencilled everything on that samurai page first and then inked it…I think this page took most of a semester to draw.
I really used to play with layouts a lot more. I got into clarity of the grids so much that I stopped being "risky" Might need start taking more chances https://t.co/jZsvgWLs3A
More old pages. These were all done with the intent to take to SDCC (Over 20 years ago) I started teaching and storyboarding soon after and gave up on comics soon after.
作者のその他の人気の漫画
Take a Toppi Break with me won't you? Master of texture, design, use of negative space and scale.
Today's inspiration Rodolfo Damaggio's Captain America Storyboards
Some Rodolfo Damaggio to end your week right
As comics get more "widescreen" I've really come to appreciate the sweet, skinny, vertical panels of Miller's DD
we do not spend enough time gushing over how great John Bogdanove is. Great Cartooning skills, amazing draftsmanship and gestures. From a new mutants annual and X-terminators
Kurtzman. I want comics to be colored like this again
Urasawa's celebrity portraits are the best
my favorite Neal Adams stuff was his comic strip work...what a legend
Toth famously said " Strip it down to the essentials and Draw the hell out of what's left". Calling something "simple" because of a lack of (over)rendering implies that less lines = less work. Here's Toth keeping it Simple
Little Breakdowns of the "hellboy style" made by @TadStones for the Hellboy animated shows to capture the @artofmmignola magic. So great https://t.co/wiUceHtiKC
Let's spend Monday gushing over Barry Windsor-Smith, shall we? This is the closest we will get to seeing how Michelangelo would've drawn comics. Classic draftsmanship and beautiful storytelling
Eisner
