This was a hard lesson to learn-when I was young I just wanted to work and thought I had to draw like the big names-now at my old age I'm content drawing like me (most days) First two from now , second two from then https://t.co/rEaVLWETTb
trying to take the time to do pencils before inks. Usually jump from roughs to ink, then fight to get them right. This way i work out the structure/lighting/etc in pencils& inks i just clean up the shapes and lines. (pencils in blue)
作者のその他の人気の漫画
Take a Toppi Break with me won't you? Master of texture, design, use of negative space and scale.
Today's inspiration Rodolfo Damaggio's Captain America Storyboards
Some Rodolfo Damaggio to end your week right
As comics get more "widescreen" I've really come to appreciate the sweet, skinny, vertical panels of Miller's DD
we do not spend enough time gushing over how great John Bogdanove is. Great Cartooning skills, amazing draftsmanship and gestures. From a new mutants annual and X-terminators
Kurtzman. I want comics to be colored like this again
Urasawa's celebrity portraits are the best
my favorite Neal Adams stuff was his comic strip work...what a legend
Toth famously said " Strip it down to the essentials and Draw the hell out of what's left". Calling something "simple" because of a lack of (over)rendering implies that less lines = less work. Here's Toth keeping it Simple
Little Breakdowns of the "hellboy style" made by @TadStones for the Hellboy animated shows to capture the @artofmmignola magic. So great https://t.co/wiUceHtiKC
Let's spend Monday gushing over Barry Windsor-Smith, shall we? This is the closest we will get to seeing how Michelangelo would've drawn comics. Classic draftsmanship and beautiful storytelling
Eisner
