here's where i do all the real thinking. Blocked in the shapes, shadows and now is when i carve away or add stuff that no one will notice. How much info needed to define trees, face, gesture, etc....it's a silly thing but my favorite part https://t.co/UrNTBhnmi2
I will jump at any opportunity to draw panels like this-stark blacks against thin lines makes me happy
Not sure I ever shared the line work for my cover for 007 issue 1. Really hope you all pick this up, @PhillipKJohnson wrote a hell of a story.
No other cartoonists have ever capture Southern CA as accurate as @seanpphillips with colors by @jacobr_phillips from DESTROY ALL MONSTERS
作者のその他の人気の漫画
Take a Toppi Break with me won't you? Master of texture, design, use of negative space and scale.
Today's inspiration Rodolfo Damaggio's Captain America Storyboards
Some Rodolfo Damaggio to end your week right
As comics get more "widescreen" I've really come to appreciate the sweet, skinny, vertical panels of Miller's DD
we do not spend enough time gushing over how great John Bogdanove is. Great Cartooning skills, amazing draftsmanship and gestures. From a new mutants annual and X-terminators
Kurtzman. I want comics to be colored like this again
Urasawa's celebrity portraits are the best
my favorite Neal Adams stuff was his comic strip work...what a legend
Toth famously said " Strip it down to the essentials and Draw the hell out of what's left". Calling something "simple" because of a lack of (over)rendering implies that less lines = less work. Here's Toth keeping it Simple
Little Breakdowns of the "hellboy style" made by @TadStones for the Hellboy animated shows to capture the @artofmmignola magic. So great https://t.co/wiUceHtiKC
Let's spend Monday gushing over Barry Windsor-Smith, shall we? This is the closest we will get to seeing how Michelangelo would've drawn comics. Classic draftsmanship and beautiful storytelling
Eisner
