Natalie Nourigat@Tallychyck

    People asked to see my storyboard thumbnails/sketches vs clean-ups, so here are some examples from the sequence I'm currently boarding for Stephanie Stine's class! ✍️

    People asked to see my storyboard thumbnails/sketches vs clean-ups, so here are some examples from the sequence I'm currently boarding for Stephanie Stine's class! ✍️
    People asked to see my storyboard thumbnails/sketches vs clean-ups, so here are some examples from the sequence I'm currently boarding for Stephanie Stine's class! ✍️
    People asked to see my storyboard thumbnails/sketches vs clean-ups, so here are some examples from the sequence I'm currently boarding for Stephanie Stine's class! ✍️
    People asked to see my storyboard thumbnails/sketches vs clean-ups, so here are some examples from the sequence I'm currently boarding for Stephanie Stine's class! ✍️
    1051,1313年前
    Natalie Nourigat@Tallychyck

    You'll notice that a lot of the time, I keep my initial sketch. As long as it reads and you can tell the emotion that's supposed to be coming across, why draw it twice and lose the energy from the quick sketch?

    You'll notice that a lot of the time, I keep my initial sketch. As long as it reads and you can tell the emotion that's supposed to be coming across, why draw it twice and lose the energy from the quick sketch?
    You'll notice that a lot of the time, I keep my initial sketch. As long as it reads and you can tell the emotion that's supposed to be coming across, why draw it twice and lose the energy from the quick sketch?
    You'll notice that a lot of the time, I keep my initial sketch. As long as it reads and you can tell the emotion that's supposed to be coming across, why draw it twice and lose the energy from the quick sketch?
    You'll notice that a lot of the time, I keep my initial sketch. As long as it reads and you can tell the emotion that's supposed to be coming across, why draw it twice and lose the energy from the quick sketch?
    1843年前
    Natalie Nourigat@Tallychyck

    I like to add at least one tone to separate the main chs from the BG. Sometimes I throw in a Gaussian blur or eye/mouth whites, if I'm feeling fancy & I have time. This scene is *spooky*, so there's mood lighting in the establishing shots and a couple of emphasis close-ups. ?‍♀️

    I like to add at least one tone to separate the main chs from the BG. Sometimes I throw in a Gaussian blur or eye/mouth whites, if I'm feeling fancy & I have time. This scene is *spooky*, so there's mood lighting in the establishing shots and a couple of emphasis close-ups. ?‍♀️
    I like to add at least one tone to separate the main chs from the BG. Sometimes I throw in a Gaussian blur or eye/mouth whites, if I'm feeling fancy & I have time. This scene is *spooky*, so there's mood lighting in the establishing shots and a couple of emphasis close-ups. ?‍♀️
    3763年前
    Natalie Nourigat@Tallychyck

    Happy holidays! ? Please enjoy this free new comic called "Investment Wisdom: The Secret Sauce to Growing Money"... https://t.co/nMNDZootec

    Happy holidays! ? Please enjoy this free new comic called "Investment Wisdom: The Secret Sauce to Growing Money"... https://t.co/nMNDZootec
    612313年前
    Natalie Nourigat@Tallychyck

    I finished my big year-in-review blog post for the year-that-must-not-be-named: https://t.co/zHvOuBLMCg I hope that wherever this finds you you are safe, warm, eating something yummy, and know that you are loved.

    I finished my big year-in-review blog post for the year-that-must-not-be-named: https://t.co/zHvOuBLMCg I hope that wherever this finds you you are safe, warm, eating something yummy, and know that you are loved.
    0253年前

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