I took a long walk after a long talk with my lit agent Charlie and a longer talk with my unofficial editor/storypal Kyle, and finally cracked how to make OUTLAW'S APPRENTICE emotionally-driven rather than plot-driven without changing much of the plot. Only had to add 1 page!
For the sake of clarity with editors/art directors, I've gotten into the habit of doing my roughs with a grayscale value pass. It doesn't necessarily reflect exactly what I'm going to do with the finals, but makes clear how I'll use color or value to differentiate planes.
作者のその他の人気の漫画
Thought I'd share my approach to placing figures in an environment, which I use a lot in wider shots that establish the location of a given scene and the spatial relationships of the characters to it, and to each other.
Today's Charles Schulz's 100th birthday. Peanuts means a lot to me and my family, but there's one factor of his work that I've thought about an awful lot, and which I wrote about in a (comics) essay for a Peanuts tribute book some years back. 1/2
My favorite prequel-era thing was when they had Obi-Wan go full Jedi KNIGHT, armor and all.
A quick thread comparing the ages of the characters in Alexander Dumas's THE THREE MUSKETEERS and the ages of the actors playing them in adaptations: 1/
Tightened pencils!
I got an ipad so that i can work not-at-the-desk sometimes (I've gotten to the point where I almost exclusively do my pencils digitally, so to do anything other than fool around I needed something screeny). First sketch on it that I'm pretty happy with (about ten sketches in):
Commission for a Patreon backer, from the HOLLOW KNIGHT game
Me and & @TheKyleStarks's newest, from @Skybound/@ImageComics: 6 SIDEKICKS OF TRIGGER KEATON When the worst man in Hollywood is murdered, his 6 former supporting actors (whose careers he tanked) have to fight stuntpeople, ninjas, bikers, & more if they want to solve the crime.
