Matías Bergara@matiasbergara

Eisner / Angoulême 2020 nom for CODA. EW artist of the year 2019. Work: matiasbe@gmail.com Art rep / commissions - https://t.co/aRRngWUMxY Art prints 👇

112316 フォロワー
Matías Bergara@matiasbergara 1099412020-08-11T08:08:01.000Z
Working with a couple of friends today. WIP before the colors. #coda #watercolors 2
Working with a couple of friends today. WIP before the colors. #coda #watercolors
Matías Bergara@matiasbergara 1529642020-08-11T06:12:52.000Z
I wonder if they teach kids today that this is how it was back in '94, in the beginning. #SonicTheHedgehog 1
I wonder if they teach kids today that this is how it was back in '94, in the beginning. #SonicTheHedgehog
Matías Bergara@matiasbergara 032020-08-11T03:51:09.000Z
@BillyHynes Fontanarrosa. Argentinian writer and cartoonist. Sadly gone too soon. Legendary and prolific! He created this character Boogie in the 70s. When Hellboy came out in '94 we felt like meeting a familiar face, ha ha. 1
@BillyHynes Fontanarrosa. Argentinian writer and cartoonist. Sadly gone too soon. Legendary and prolific! He created this character Boogie in the 70s. When Hellboy came out in '94 we felt like meeting a familiar face, ha ha.
Matías Bergara@matiasbergara 012020-08-11T03:42:47.000Z
@BillyHynes I bet you don't know this guy. 1
@BillyHynes I bet you don't know this guy.
Matías Bergara@matiasbergara 61242020-08-08T09:09:11.000Z
From Coda issue 11. Some things you just can't do if it's not comics. Luckily. This book made me so happy as an artist. 1
From Coda issue 11. Some things you just can't do if it's not comics. Luckily. This book made me so happy as an artist.
Matías Bergara@matiasbergara 25218462020-08-06T10:14:45.000Z
My #bettercartoon pitch. Make CODA a series. That's the tweet. 4
My #bettercartoon pitch. Make CODA a series. That's the tweet.
Matías Bergara@matiasbergara 31232020-08-05T06:25:07.000Z
Endless pile 1
Endless pile
Matías Bergara@matiasbergara 191802020-08-04T23:42:28.000Z
RIP Jiro Kuwata. 1
RIP Jiro Kuwata.
Matías Bergara@matiasbergara 403622020-08-01T07:24:44.000Z
Inky details from CODA's cover art to issue 6! #ink #coda #fantasy #comics @boomstudios 3
Inky details from CODA's cover art to issue 6! #ink #coda #fantasy #comics @boomstudios
Matías Bergara@matiasbergara 111822020-07-31T09:41:35.000Z
A young Dave Gilmour. #tbt #pinkfloyd 1
A young Dave Gilmour. #tbt #pinkfloyd
Matías Bergara@matiasbergara 27232392020-07-30T12:01:53.000Z
Napoleon as a young man. 2017 1
Napoleon as a young man. 2017
Matías Bergara@matiasbergara 24928422020-07-25T00:37:57.000Z
Stages of creative thought 1
Stages of creative thought
Matías Bergara@matiasbergara 92566472020-07-21T06:43:41.000Z
Guts before colors. #berserk 1
Guts before colors. #berserk
Matías Bergara@matiasbergara 272042020-07-14T09:04:43.000Z
B/W before colors. 1
B/W before colors.
Matías Bergara@matiasbergara 161712020-07-01T02:51:13.000Z
Sequence. From Coda Vol. 1 @boomstudios #comics #fantasy 2
Sequence. From Coda Vol. 1 @boomstudios #comics #fantasy
Matías Bergara@matiasbergara 81582020-06-27T06:57:06.000Z
A little WIP. the linework was very minimal on purpose. Absolutely no black areas this time. It's what gives the piece a certain air to it. Since real world doesn't have ctrl+z, you have to think these things before you act. 1
A little WIP. the linework was very minimal on purpose. Absolutely no black areas this time. It's what gives the piece a certain air to it. Since real world doesn't have ctrl+z, you have to think these things before you act.
Matías Bergara@matiasbergara 182072020-06-23T12:59:17.000Z
Lourdes. 1
Lourdes.
Matías Bergara@matiasbergara 16813242020-06-19T11:34:25.000Z
Tetsuoo! #akira 1
Tetsuoo! #akira
Matías Bergara@matiasbergara 102052020-06-17T23:01:19.000Z
5. I'm no longer making them and work schedule makes it very hard today for me to reserve time off just for practicing, but I always find ways to include some of this visual language into my everyday work. People usually enjoy very much how I ink. This is (partly) the story. 3
5. I'm no longer making them and work schedule makes it very hard today for me to reserve time off just for practicing, but I always find ways to include some of this visual language into my everyday work. People usually enjoy very much how I ink. This is (partly) the story.
Matías Bergara@matiasbergara 71602020-06-17T23:01:18.000Z
4. It quickly developed into a study not only in form and execution, but in economy of resources and spaces. It helped me explore negative space and the boundaries of suggestion. What are the boundaries between drawing and symbol? 3
4. It quickly developed into a study not only in form and execution, but in economy of resources and spaces. It helped me explore negative space and the boundaries of suggestion. What are the boundaries between drawing and symbol?
Matías Bergara@matiasbergara 21032020-06-17T23:01:17.000Z
3. The idea was not to use any pencil, since there's a very Zen thing about trusting yourself and letting whatever happens to stay on the paper as an honest part of expression. Then one day I doodled a girl and it struck a cord. 1
3. The idea was not to use any pencil, since there's a very Zen thing about trusting yourself and letting whatever happens to stay on the paper as an honest part of expression. Then one day I doodled a girl and it struck a cord.
Matías Bergara@matiasbergara 31072020-06-17T23:01:16.000Z
2. I followed an older master's advice to try lots of east asian calligraphy and Sumi-e to advance in my brush inking and my drawing as well. This was a good tool and very practical for it, since it was designed for that end: writing kanji. I started simple, just simple doodles. 1
2. I followed an older master's advice to try lots of east asian calligraphy and Sumi-e to advance in my brush inking and my drawing as well. This was a good tool and very practical for it, since it was designed for that end: writing kanji. I started simple, just simple doodles.
Matías Bergara@matiasbergara 082020-06-17T10:18:47.000Z
@CamilaBurman Tengo varios! 1
@CamilaBurman Tengo varios!
Matías Bergara@matiasbergara 10992020-06-13T00:44:21.000Z
2013: I traded drawings with the legendary J. O'Barr in Peru. I asked him to dedicate the piece for a good friend who is a die hard fan of The Crow and couldn't make the trip. One of my fondest memories during events. A truly terrific guy. 1
2013: I traded drawings with the legendary J. O'Barr in Peru. I asked him to dedicate the piece for a good friend who is a die hard fan of The Crow and couldn't make the trip. One of my fondest memories during events. A truly terrific guy.