It's been a wild year but I've enjoyed the art I've made. A comic I loved dearly completed, some (failed) pitches, and some very self indulgent art along the way. Hope 2022 is also a good year for art #artvsartist2021
A few more highlights in 2021 art for things I didn't get to in the first one and reflecting more on how the majority of art was comic art for Yuna & Kawachan. All in all a good year for art!
One more share of 2021 art. Thank you guys for a great year and lovely support for my art and my comic. Its been both a rewarding and exhausting year and I have no idea what comes next but I hope its another good art year. Happy New Year!
More explorations of Ro, including some designs from later in the pitch's production (wavy short hair), some expressions, and some super early designs from before we really knew her personality at the time we were exploring how her shapes and silhouette might look
作者のその他の人気の漫画
The joke might be dead at this point but here's Tears of the Kingdom: Wiggle to Detach (colorized)
MILD SPOILERS for the very beginning of Tears of the Kingdom. I've been cracking myself up thinking about Link's new arm and how Rauru attached it
I finally watched Good Omens and yeah okay Crowley and Aziraphale are pretty fun
Visual representation that art and design can change over time. When I started Yuna & Kawachan, I tried to get my idea out quickly but the design has refined over the years. Junichiro and Kawachan are in a tie for best glow up: thank god I learned to draw them eventually
Dusty the silent cat witch
All the cool kids are doing it also go read Yuna & Kawachan :3c
Hey wanna see the steps I use to make my comic? I've done a lot to figure a balance of simplicity and challenge in the style used in Yuna & Kawachan. Every comic/production will differ in its approach. Also some Episode 37 panel previews! (Spoilers if you're not up to Ep35)
Yuna a few years later
