It being Easter reminded me that I need to get on the ball re: Christmas. I'd gotten hung up on penciling these complex-for-me spiral staircases for the workshop playset, but tried again today (months later) I feel pretty good about 'em!
Rancor commission (from 1983's RETURN OF THE JEDI), with bonus sad human keeper Malakili.
Took me a few pages to get there but now that I'm deep in the swordfightin' pencils, I'm in hog heaven
Pluggin' away on swordfight pencils. Reckon that if my characters have armor as part of their design then it best be incorporated into the fights, right?
作者のその他の人気の漫画
Thought I'd share my approach to placing figures in an environment, which I use a lot in wider shots that establish the location of a given scene and the spatial relationships of the characters to it, and to each other.
Today's Charles Schulz's 100th birthday. Peanuts means a lot to me and my family, but there's one factor of his work that I've thought about an awful lot, and which I wrote about in a (comics) essay for a Peanuts tribute book some years back. 1/2
My favorite prequel-era thing was when they had Obi-Wan go full Jedi KNIGHT, armor and all.
A quick thread comparing the ages of the characters in Alexander Dumas's THE THREE MUSKETEERS and the ages of the actors playing them in adaptations: 1/
Tightened pencils!
I got an ipad so that i can work not-at-the-desk sometimes (I've gotten to the point where I almost exclusively do my pencils digitally, so to do anything other than fool around I needed something screeny). First sketch on it that I'm pretty happy with (about ten sketches in):
Commission for a Patreon backer, from the HOLLOW KNIGHT game
Me and & @TheKyleStarks's newest, from @Skybound/@ImageComics: 6 SIDEKICKS OF TRIGGER KEATON When the worst man in Hollywood is murdered, his 6 former supporting actors (whose careers he tanked) have to fight stuntpeople, ninjas, bikers, & more if they want to solve the crime.
