I'm in love with the original Dragon Ball chapter covers by Akira Toriyama. The shapes, the designs, everything is like toys in his universe.
@whatisalt236 @FibreTigre @VincentMnV Et tant que j'y pense, ça peut vous plaire Fibre et Alt si vous ne connaissais pas : la BD upside down de Gustave Verbeek. On lis la page dans le sens normale, puis on la retourne de 180 degrés pour lire la suite. Les dessins inversés racontent tout autre chose.
François Boucq ( @FrancoisBoucq ) I insist, it's the most creative spirit of French comics. https://t.co/boBdp36CZ6
@JulienMoya Je me demande si il est possible de faire un générateur de Plantu, je trouve qu'en remixant ses dessins au hasard, ça a bien plus de sens :
It's hard to lose Kentarō Miura so soon. His melancholy and darkly poetic work will remain eternal.
Concept art from Sleeping Beauty by Eyvind Earle (1959, Disney)
I found this by looking for references for trainees in our studio. My process is very similar and it is useful to understand the organic diffusion of vegetation. First one by @mocha708, second by DOngIck Lee, third by @yoshida_seiji, last by @minamotoii
I'm in love with the original Dragon Ball chapter covers by Akira Toriyama. The shapes, the designs, everything is like toys in his universe.
Background layouts from TekkonKinkreet by Shinji Kimura (2006, Studio 4°C) :
Few steps of my process when I use 3D blockout for the environments of Forest of Liars : https://t.co/ojhdIAsmp6
Concept art from The Sword in the Stone (1963,Walt Disney Productions)
The world of Knights of Sidonia (manga by Tsutomu Nihei) reminds me a bit the environment of @ianmcque :