David DePasquale 🐯@wolfinsheeps

Art Director: GOLDEN AXE | Prev: Art Director: Invincible Fight Girl |⚔️OPEN FOR FREELANCE⚔️| Reps: @samg_anim @thealisonmann | Literary Rep: @socalledYAlife

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David DePasquale 🐯@wolfinsheeps 1152ヶ月前
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David DePasquale 🐯@wolfinsheeps 081年前
Finally signed the legendary CNS wall with my crew. ♥️1
Finally signed the legendary CNS wall with my crew. ♥️
David DePasquale 🐯@wolfinsheeps 2121年前
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David DePasquale 🐯@wolfinsheeps 181年前
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David DePasquale 🐯@wolfinsheeps 211751年前
Last week to enroll in my Winter '23 Character Design class! I try to approach this class from a storytelling perspective and encourage people to work in their natural style. I'd love to see you there - 15 spots left! Here's some of my students' work! https://t.co/AIZRpk4O4Q 4
Last week to enroll in my Winter '23 Character Design class! I try to approach this class from a storytelling perspective and encourage people to work in their natural style. I'd love to see you there - 15 spots left! Here's some of my students' work! https://t.co/AIZRpk4O4Q
David DePasquale 🐯@wolfinsheeps 5571年前
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David DePasquale 🐯@wolfinsheeps 0231年前
Today just 1
Today just
David DePasquale 🐯@wolfinsheeps 61571年前
It's @papertiki's birthday. Go give him a crazy amount of love. 1
It's @papertiki's birthday. Go give him a crazy amount of love.
David DePasquale 🐯@wolfinsheeps 271,0482年前
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David DePasquale 🐯@wolfinsheeps 452732年前
some spooky renfaire-esque trash baby doodles. Why don't you see more raccoons and possums as familiars, I'll never know! 1
some spooky renfaire-esque trash baby doodles. Why don't you see more raccoons and possums as familiars, I'll never know!
David DePasquale 🐯@wolfinsheeps 161242年前
Forgot I did this! Last year I was approached to potentially design the end credits for Ratchet & Clank: Rift Apart, and had to create a sample image to pitch. Ultimately Insomniac went with another motion graphics company besides the one that hired me, but I had a lot of fun! 2
Forgot I did this! Last year I was approached to potentially design the end credits for Ratchet & Clank: Rift Apart, and had to create a sample image to pitch. Ultimately Insomniac went with another motion graphics company besides the one that hired me, but I had a lot of fun!
David DePasquale 🐯@wolfinsheeps 7972年前
While Bertie is my favorite design, Edmee was a close second. 1
While Bertie is my favorite design, Edmee was a close second.
David DePasquale 🐯@wolfinsheeps 382772年前
I think the most important thing when it comes to design is shape. Relating character construction to normal items or basic shapes really helps people remember how to draw them on model. Keeping things focused is important too, we were worried about float on Bertie's face too. 2
I think the most important thing when it comes to design is shape. Relating character construction to normal items or basic shapes really helps people remember how to draw them on model. Keeping things focused is important too, we were worried about float on Bertie's face too.
David DePasquale 🐯@wolfinsheeps 4672年前
Tony was pretty fun, too. Demystifying his face and trying to compensate for "float" forced me to think more about head construction and facial landmarks. 2
Tony was pretty fun, too. Demystifying his face and trying to compensate for "float" forced me to think more about head construction and facial landmarks.
David DePasquale 🐯@wolfinsheeps 7912年前
Arlo was the most comprehensive in terms of construction. He's the main character and we obviously wanted to build him in a way that was easy for the animators to move him. He's built from very simple shapes! 2
Arlo was the most comprehensive in terms of construction. He's the main character and we obviously wanted to build him in a way that was easy for the animators to move him. He's built from very simple shapes!
David DePasquale 🐯@wolfinsheeps 3521,8772年前
Some of my favorite development time on Arlo the Alligator Boy was spent creating style guides. It really helped the animators, and also allowed me to check my own work to make sure the characters were constructed in a way that makes sense! Waiter by @ChuChuBoogie 4
Some of my favorite development time on Arlo the Alligator Boy was spent creating style guides. It really helped the animators, and also allowed me to check my own work to make sure the characters were constructed in a way that makes sense! Waiter by @ChuChuBoogie
David DePasquale 🐯@wolfinsheeps 9862年前
Some more production art: 4
Some more production art:
David DePasquale 🐯@wolfinsheeps 846822年前
One of my favorite characters to work on during my time on #iheartarlo was the Bog Lady. I loved her and her song! I based her on the Honey Island Swamp Monster, a local Lousiana cryptid, and the Kappa, a Japanese yokai sometimes known for drowning people and animals. 4
One of my favorite characters to work on during my time on #iheartarlo was the Bog Lady. I loved her and her song! I based her on the Honey Island Swamp Monster, a local Lousiana cryptid, and the Kappa, a Japanese yokai sometimes known for drowning people and animals.
David DePasquale 🐯@wolfinsheeps 2101,7552年前
Some of my Bertie development and design from Arlo the Alligator Boy, voiced by the brilliant @marylambertsing! She's probably my favorite character I've ever designed! 4
Some of my Bertie development and design from Arlo the Alligator Boy, voiced by the brilliant @marylambertsing! She's probably my favorite character I've ever designed!
David DePasquale 🐯@wolfinsheeps 121253年前
Lots of bird references, too, of course. His Met Gala outfit is a favorite of mine. 4
Lots of bird references, too, of course. His Met Gala outfit is a favorite of mine.
David DePasquale 🐯@wolfinsheeps 1151,0783年前
Some more #arlothealligatorboy character dev! Here's Ansel, Arlo's dad (voiced by @VRodriguezIII). I wanted him to have a very "Uncle Walt" kind of feel to him- someone Arlo felt he could trust immediately, which made the reality after "Better Life" hit that much harder. 4
Some more #arlothealligatorboy character dev! Here's Ansel, Arlo's dad (voiced by @VRodriguezIII). I wanted him to have a very "Uncle Walt" kind of feel to him- someone Arlo felt he could trust immediately, which made the reality after "Better Life" hit that much harder.
David DePasquale 🐯@wolfinsheeps 81273年前
Loved the idea of her having some sort of swamp-animal features, like a little turtle beak. 1
Loved the idea of her having some sort of swamp-animal features, like a little turtle beak.
David DePasquale 🐯@wolfinsheeps 1781,3743年前
Gonna start posting my #arlothealligatorboy character development work! Starting with Edmee because she was the toughest to nail down. I absolutely adored her design in the end, and working on such a complex, but sweet character was just a joy. Annie Potts was just brilliant. 4
Gonna start posting my #arlothealligatorboy character development work! Starting with Edmee because she was the toughest to nail down. I absolutely adored her design in the end, and working on such a complex, but sweet character was just a joy. Annie Potts was just brilliant.
David DePasquale 🐯@wolfinsheeps 161683年前
I've done work for Disney TVA, DreamworksTV, Cartoon Networks, BentoBox, Titmouse, and Netflix, as well as Chronicle Books and Phoenix International. A lot of my work is currently under NDA, but here are some more examples I can show publicly! 4
I've done work for Disney TVA, DreamworksTV, Cartoon Networks, BentoBox, Titmouse, and Netflix, as well as Chronicle Books and Phoenix International. A lot of my work is currently under NDA, but here are some more examples I can show publicly!